Posts from the ‘mainstream media sucks’ Category

Omar Thornton: Casualty of Racism?

From Afro Ink:

For anyone, white, black or otherwise, to walk into a business and murder the occupants, for any reason, is horrifying. No one goes to work expecting to be slaughtered, and my heart goes out to all the families touched by this tragedy.

But we don’t live on the “Little House on the Prairie“. Gone are the days of old fashioned wisdom and the prevailing of cooler heads. Today, we live in a volatile society. People murder each other over nothing, everyday. And it doesn’t take much to push people’s buttons. And if you add a sociopathic personality to that mix, you get a walking time-bomb.

Before the DC sniper shootings, the face of mass shooting culprit was often a white one, but when the shooter is black we rarely stop to think about how racism or discrimination played a role. I think it’s very possible that in the case of Omar Thornton it did–and recent stories have pointed to this fact. We should really have more conversations about Black people, racism, pathology, and sociopathic behavior. The connections could amaze you.

One could say “What does it matter? Innocent people were killed.” But without understanding the link between a violent act and outside factors that lead up to someone to go on a killing spree. That said, it wouldn’t surprise me if instead of asking these type of questions, the media is still focused on the “black man goes and kills people” angle. Sigh.

Advertisements

“Topless Black Girls” & other keywords that lead to my blog

I am currently taking part in Rosetta Thurman’s 31 Days to a Brand New Blog Challenge! I’m really excited about it because I have been wanting to take my blog to another level, especially with my new life here in Los Angeles and beyond as I start my grad school applications. I wanted to do more with the blog, and I though the Challenge was a good place to start.

For the Day 1 challenge, we were asked to take a look at our blog stats and analyze the stats. There were a few things in my stats that were surprising–for instance, it’s interesting that my “meet elledub” page is still very popular. Didn’t know that many people wanted to know more about the girl behind the blog!

But what was more intriguing to me were the keyword terms that were most used to find my blog. There were a few repetitive ones with obvious explanations (“black girl” “black girl blog” “essence fashion and beauty editor” “for colored girls”); some terms came up because of things I’ve written about on my blog. “Are there any Black People on Mad Men” wasn’t surprising since I’ve spent a few posts pondering that very question.

Then there were some off-the-wall terms; “topless black girls” come to mind. While I’m sure this had to do with this little post I wrote about a topless bust of Michelle Obama, it’s such an interesting insight into what people look for when they look for info about black women online. In fact, one google search on “black women” gives you a strange mix of the mundane and the obscene. It’s very possible that the keyword terms that people use to find my blog is just a microcosm of what’s already out there when it comes to finding images of black women on the internets, which is exactly what I’m hoping to achieve with this blog.

For those of you who do blog, what are some of the craziest keyword terms that people use to find your blog? If you’re participating in the challenge, I’d love to hear from you too.

Essence Hires a White Fashion Director

Yes, you read that right.

From Fishbowl NY:

The door continues revolving atEssence: now, the magazine has named Ellianna Placas as its new fashion director and Tasha Turner as its new senior beauty editor.

Placas will make her debut with the magazine’s 40th anniversary September issue and will oversee the conception and packaging of Essence‘s fashion coverage, feature stories and multi-platform packages. She began her career in publishing styling cover shoots for 0: The Oprah Magazine. Placas has also worked forUs WeeklyReal SimpleNew York,More and Life & Style.

Former Fashion Editor Michaela Angela Davis had some choice words to say about Essence’s recent decision on her Facebook Wall:

“It’s with a heavy heart I’ve learned Essence Magazine has engaged a white Fashion Director. I love Essence and I love fashion. I hate this news and this feeling. It hurts, literally. The fashion industry has historically been so hostile to black people–especially women. The 1 seat reserved for black women once held by Susan Taylor, Ionia Dunn-Lee, Harriette Cole(+ me) is now-I can’t. It’s a dark day for me. How do you feel?”

….

There is one precious seat at the fashion shows that says Essence the magazine for black women. When asked, “What is your unique perspective for black women?” How is that answered? Even if they got Anna Wintour herself (which editors inside Essence assure me she is NOT) it still would hurt. From a brand perspective there should be a unique lens through which information is filtered…at Essence it is believed that filter is black, female..connected through shared history and soul…I believe we’ve not come far enough for this move.

There’s already been a lot said about this story, so I’ll try to make my comments on this brief. Aside from the most obvious argument–that having a white fashion director at a black women’s magazine raises a few eyebrows–I have to make the point that not hiring Ms. Placas based solely on her race would have been discrimination. But furthermore, Essence has been white-owned for quite some time now, so how surprised can we really be?

I do worry about how having a white fashion editor at a magazine that is supposed to be devoted to the life and style of Black women will effect the magazine’s brand, as Clutch brings up in their write-up on the news.  What does it mean when a magazine for Black women sees fit to have a white fashion editor when there were so many other (black) candidates to choose from? What about her experiences positioned her to become the editor at a Black women’s magazine? And what will she do differently that a black editor wouldn’t have done?

On the other hand, maybe we can’t judge too harshly until we see what Placas does. I’ve heard this argument several times this week, but it’s hard when as a girl I looked to Essence to see images of black beauty and style and I remember wanting to be as regal and as beautiful as the women in the magazine. Essence fashion spreads made me embrace everything that black beauty was and could be.

What does it mean when a new fashion editor of the most popular black women’s magazine didn’t grow up with that experience?

Are Marriage rates trumping our Unemployment rates?

While the rest of the Black Blogosphere is still reeling from that Nightline Faceoff about why Successful Black Women Can’t Find a Man (I guess unsuccessful Black women fare better, whatever that means), I think we’re all failing to pay attention to a bigger issue: why successful Black women can’t find a job.

A friend of mine shared this NY Times chart that shows  how different groups are effecting certain groups of people. Depending on what group you select (Black Women, White men with a degree, Black men without, etc), it shows you the unemployment rate for that group.

For Black women of all levels of education, the unemployment rate is at 11 percent. What bothers me is the gap between White and Black women’s unemployment–the same chart showed that the unemployment rate is just under 6%.

Does anyone see a problem here?

It really does seem as though perhaps Black women are being passed up for jobs that are otherwise going to white women or men. But more troublesome is that we are so stuck on how single Black women are that we don’t stop and reflect on how unemployed we are, which whether we know it or not DOES effect our dating and relationship life; if you’re not gainfully employed, your focus won’t be on finding a man; most times you’re busy hustling trying to find a job that will afford you the time and the money to actually go out and meet someone. And yes, I do think unemployment is why so many Black men are single as well (but no one wants to discuss those numbers either).

Granted, it’s not a sexy topic at all and it’s not one people are writing books about or putting on panels about how Black women can find job. But to me, this is a much bigger issue than whether or not I’ll find a Black man to marry or whether I’ll marry my current partner. To hear other people tell it, you’d think being single and a Black woman was a crisis, but what bothers me is that being single is being presented as a crisis while our unemployment rates are hardly even whispered about. The Economist of all things had a whole article about why Black women are sooo single and yet no article about the fact that some of us can’t find a job? #iCant.

Even though I’ve recently found a new job,  but I went several months without finding something after being laid off in January. But just because I was able to find a job in three months doesn’t mean that there isn’t a Black woman out there who is still looking and wondering how she’ll pay her rent. Let’s deal with that situation instead of berating her for being single (or just not married).

Tyler Perry, step away from the camera.

Last week we found out that Tyler Perry revealed the cast for his film adaptation of for colored girls who have considered suicide when the rainbow was enuf by Ntozake Shange.

Read ’em and weep:

Black Voices has learned that writer/director/producer Tyler Perry has selected the cast for next film, ”For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf.

At last night’s premiere for his latest film, ‘‘Why Did I Get Married Too?,’ the black box-office maverick revealed that the cast will include Janet Jackson, Mariah Carey, Whoopi Goldberg, Phylicia Rashad, Jurnee Smollett, Kimberly Elise, Kerry WashingtonLoretta Devine and Macy Gray.

Based on Ntozake Shange‘s award-winning 1975 play, the film is scheduled to shoot in June in New York with a possible winter 2010/ 2011 release date.

I’m not even going to go in on the cast for this film nor about Tyler Perry films themselves because I know there are plenty of conversations going on about that. I know that we are all looking at Janet Jackson getting top billing and wondering why she’s there in the first place. I know we’re wondering when Macy Gray became an actress or why one “aight” performance in Precious makes Mariah Carey a capable of playing, say the Lady in Red. And lastly, I know many of us are questioning of Tyler Perry knows what he’s doing with a Shange play in the first place, or if he knew about for colored girls… before Oprah mentioned it that one time at Sunday Brunch.

for colored girls… has a special place in my heart. When I was 17, I had the amazing honor and privilege of spending a whole day with Ntozake Shange in Taos, New Mexico during the Taos Poetry Circus. While there, I participated in her small group poetry workshop where I shared some of my work. I spoke with her in depth about for colored girls… and her inspiration for it.

So when I heard the news that Tyler Perry was directing for colored girls, I was disappointed.  Nzingha Stewart, a black woman director, was originally slated to direct the film adaptation of the play, but all of a sudden I started to see Tyler Perry’s name all over it.

Hmmm. There’s something totally wrong with this picture, and it has nothing to do with Janet Jackson getting top billing.

I’m certainly not convinced that Tyler Perry is the best black filmmaker out there regardless of what his box office sales are. But my biggest problem is he is seemingly unable to give up the reins of power, step away from the camera and allow for other Black screenwriters and directors to have their shine.  What would have been wrong with Nzingha Stewart directing the film and even selecting her the cast by herself while Tyler Perry funded and promoted the project? Nothing, unless he wants to convey the message that he is uncomfortable sharing   the wealth and  the limelight with other (young and/or female) talent.

Precious was not a perfect movie, but if it didn’t show us anything else, it showed that Tyler Perry has the potential to fund the projects of other Black filmmakers and help make them a success. Part of being a leader in any industry is helping other young people rise to the top as well. The Black experience is not a monolith; some of us like myself never grew up with a character like Madea. Because of this, it’s important that we have a large variety of filmmakers who can speak to the myriad of ways a Black person can experience and live in society. Perhaps a successful, wealthy director like Tyler Perry is in a position to support other directors in their projects, but what bothers me more than his so-so movies are his unwillingness to step from behind the camera and let someone else take a crack at it.

Black, Successful, and (not so) Unhappy

It’s taken me a long time to talk about the now-infamous Helena Andrews profile on Black Girl Blogging, because it made me so upset. Not because I think there is truth to how lonely, sad, and unlovable black women are, but because I know that there isn’t much truth to it to begin with.

What really sticks out to me are the lack of narratives about Black women who are happy for reasons other than finding and keeping a man. The “single, sad, lonely Black woman” meme assumes that without a man we can’t be happy and can’t even begin our search for happiness.

My black girl blogger-in-crime Rosetta Thurman has started a “happiness project” of her own called The Diary of a Happy Black Woman. A few nights ago on Twitter, she talked about why she has decided to embark on this new project.

I hadn’t thought about this angle of the story until I saw it mentioned in the above tweet. What really has annoyed me about the whole damn dialog about the poor, single Black women is that it not only paints all Black women as unlovable, but it also assumes that until we find a man we can’t be happy or fulfilled. It even pre-supposes that Black women should be perpetually unhappy.

Yes, there are Black women out there who are sad and who are lonely…and perhaps who are also angry. But those feelings often have very little to do with their marital status (or lack thereof). Many of us  can find ourselves feeling that way even after we’ve found the supposedly elusive relationship with a successful Black man. I should know: I was one of them for quite some time before ending my last immediate long-term relationship (another story entirely).

It’s true that I have since then started a new relationship with a new partner, but I spent the better part of 2009 getting back in tune with the things that make me happy outside of being with someone who liked me and cared about me and took me out on dates and stuff.

In 2009, I lost 42 pounds after getting back in touch with physical activities I love (yoga, dance, walking/jogging), and doing something else I loved too–cooking delicious, healthy meals. I explored new angles and avenues to the media career I have chosen for myself and began to carve my own niche. I traveled to different cities and went to some great conferences. I kept in touch with old friends and made new ones. And I did all of that despite not having  a boo by my side to witness me doing all of this. I did the “brave” thing and started last year without a relationship, having broken up with my then-boyfriend around this time last year. And I regret not one damn second of it.

My soror and friend Cheri had a great response to the profile on Helena Andrews, with whom she happened to have attended Columbia once upon a time:

She said “I’m a successful black woman” several times, listed off the things that validated the statement, and then says she isn’t happy. I know many women who describe themselves this way, and they too end up in that same place at the end of the sentence. “I’m a successful black woman, why can’t I find love or happiness?”

It might be worth while to go back to the beginning of the sentence and see where we made a wrong turn.

What is success? I’ve heard it described a number of ways: having a degree (or two), a house, a car, a job, the right clothes, and/or invites to the right parties. Some women define it as beginning married or having a child. But in many cases, all of this “success” is not accompanied with happiness.

If what you want is happiness, then are you really successful without it?

Someone along the way told us the work is done once you get the tools. We want a cake – so we get the eggs, sugar, and the flour…. but we leave them on the counter and go get ready for the club. We go out, drink, dance, have a good time, and wonder why we don’t have a cake with cute rose petal frosting details when we get back. We want the results but have not done the work.

In this first week of 2010, I’ve had the chance to think about what new things I want to do at Black Girl Blogging this year and in years to come. If there’s one thing Helena Andrews’s new book Bitch is the New Black and the accompanying profile in the Washington Post showed me, it was the need for more Black women telling their stories and having their stories told their way. Stay tuned and join me as I feature and highlight Black women (and a few men) who have made their lives and their work about a pursuit–or several pursuits–of happiness.

Precious Part 2 – When “feel good” branding goes wrong

My second post devoted to the movie Precious was going to be about how Tyler Perry should consider leaving the director’s chair alone for a while and funding more smaller projects by black directors other than himself. It could really show Hollywood the real scope of his power.

Then I started seeing the new cut for the Precious Ad. I couldn’t find a video to show you all (but if you can find it hit me up!), but in summary it is basically a mashup of all of the main character’s happy daydreams with Mary J’s “Just Fine” playing in the background.

Wat?

Now I understand the idea of marketing and doing whatever it takes to get more people to pay money and see the movie, and I realize that it’s the way that business works.

But what I didn’t understand was the complete 180 that was made in the marketing of this movie. I read Push well before watching the film so I knew not to expect a lot of happy moments. What I worry about are people who have never read the book nor know much about the movie seeing these new ads and expecting the movie to be a happier, more hopeful story. It’s pretty misleading if you ask me.

Some of you know that I’m a PR/media professional by day, and so the media geek in me is wondering if this move by the movie marketers was a good one. Sure, it might get more people to the box office, but what good is it if some folks won’t be informed enough to know not to expect a happy, more hopeful film? To me, this makes as little sense to me as Lee Daniels recent comments.

From NYMag.com:

Some guy came up to me at a screening that I was at recently and he told me that he, um, was sexually abusing his 14-year-old daughter,” said Daniels. “That’s what he told me. And he was crying. To me, that is the award. There is no award on this earth that can get a man to admit that. So to me, that is my award. My award is healing. You know what I mean? I want to be acknowledged or whatever, but I’m happy with people healing.”

There was one thing that was severly lacking from Daniels’ little story: the part where he reported this man to the police. What sense does this make? I hate to think that Daniels was so immersed in his own ego that he didn’t think to do the right thing and PROTECT THAT CHILD.

One criticism of the movie I agree with is that they didn’t give enough space in the film to talk about the social and political implications of WHY Precious lived the way she lived. Why did she think lighter skinned people were more beautiful with lives worth living? Why was she obese? Why did her mother abuse her and allow for her husband to rape his own daughter? None of these questions were answered through a sociopolitical lens, and that to me is a bigger marketing fail than the ads I’ve discussed earlier in this post.